{"id":18639,"date":"2024-11-24T19:59:42","date_gmt":"2024-11-24T19:59:42","guid":{"rendered":"https:\/\/surreyborder.org.uk\/?p=18639"},"modified":"2025-03-02T18:35:25","modified_gmt":"2025-03-02T18:35:25","slug":"annual-members-competition-2024","status":"publish","type":"post","link":"https:\/\/surreyborder.org.uk\/index.php\/2024\/11\/24\/annual-members-competition-2024\/","title":{"rendered":"Annual Members Competition 2024"},"content":{"rendered":"\t\t
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Member's Competition 2024<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Annual Member\u2019s Competition was held on<\/h4>

6th December 2024<\/h4>

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This year fifteen entries were received from nine of our Club Video makers.<\/p>

The external Judges this year were from Teign Film Makers :<\/p>

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Pip Crittten<\/figcaption><\/figure>

Pip Critten<\/span> is the Chair of the Southern Counties Region of the IAC and also their Magazine Editor and Competition Organiser. He has been a Judge and Final Round Judge at BIAFF and many other film competitions, both nationally and internationally.<\/p>

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Betty Nott<\/figcaption><\/figure>
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Peter Hiner<\/figcaption><\/figure>

Betty Nott<\/span> is a keen and active member of Teign Film Makers Club where her analytical skills and constructive approach to feedback is always welcome. She recently was a camera operator for their Devon Advanced Motorcyclists film in which she also rode her motorbike.<\/p>

Peter Hiner<\/span> is the Vice Chair, Programme Manager and Webmaster for Teign Film Makers. He enjoys all aspects of filmmaking and other members very much value his support, advice and tips on subtle ways to improve films.<\/p>

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The meeting was held in the SBMM Club meeting hall, and the lead Judge Pip Critten joined us via Zoom on the large screen.\u00a0<\/p>

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Philip, Tim and Rita<\/figcaption><\/figure>

Mike Sanders managed the technical devices, switching between video playback and live screen of both Pip and the audience in the hall, whilst also keeping an eye on the internet and watching out for any technical issues.<\/p>

Philip Morley took control of the camera jib recording the audience for the Zoom attendees, and Tim Stannard controlled the evening with his smooth comp\u00e8ring of the events. With 15 films to show and a total running time of just under an hour, not including the added time for both introductions and judges comments, it was no mean feat for Tim to keep to the scheduled time. But he and the rest of the crew achieved it with military precision! Rita wheeler helped by handing out the awards at the end of the evening.<\/p>

Many thanks to all those who contributed to making the evening work so well!<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Overall Winner - Cameron Gilroy for 'A Paddle Trip Now'<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cameron Gilroy<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A Paddle Trip Now<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Cameron Gillroy - 'A Paddle Trip Now'<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Awarded:\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jackson Trophy for Best Overall\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jack Striblings Trophy for Best First Time Winner\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Arthur English Memorial Trophy for Photography\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Dick Hibberd Trophy for Best Camerawork<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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BIAFF 2025 - 3 Star Winner<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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“The frame matching of the spoon and the paddle, brilliant. We could go on and on picking out great moments in this film.” – judges comment.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Judges Comments:<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cThe dissolve to the opening big close up of our character reveals straight away that the making of this film is in the hands of a good story teller.”<\/p>

“There was wonderful contrast in the pace of the film \u2013 the slowness of his waking up to the pace of making the tea. The cutting between reality and his thoughts was very well executed.”.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Peter Stratford's 'Full Moon Festival'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Peter Stratford's 'Full Moon Festival'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Awarded:\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Sir Paul Holden Trophy for Best Commentary <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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David Good Trophy for Best Holiday Film<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Judges Comments:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“A great script accompanies the mysterious music and striking images as the film opens\u00a0and sets the scene for what we are about to see.<\/p>

The sunrise shot is great as is the following misty one. The colourful clothes of the\u00a0children help to give this film a vibrant look.<\/p>

The music and ambient noises subtly dip to give room in the soundtrack for the\u00a0narrative voice. We wondered if this was an AI voice, if so it was very good.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Peter Stratford<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Full Moon Festival<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mike Sanders - Taking Fitness to Heart<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mike Sanders - Taking Fitness to Heart<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Judges Comments:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“This film was, informative, inspiring and will no doubt answer many questions potential users might have.<\/p>

This film is a credit to the producer who has created a piece that would be at home on a\u00a0regional news programme.<\/p>

It is a well crafted edit that holds the interest of the viewer, blending all the various elements in a seamless way.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Mike Sanders - Taking Fitness to Heart<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Awarded:\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Highly Commended \n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pat Doherty Award for Best Use of Sound<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jim Reed - 'An Editors Struggle'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jim Reed - 'An Editors Struggle''<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Awarded:\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ron Clements Shield for Best Creative Film <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Judges Comments:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“We see a wonderful story of an editor\u2019s dilemma and ways that he can harness the powers of Ai to help him.<\/p>

This is an excellent production with such clever ideas to tell a story whilst showcasing Ai technology.<\/p>

The pipe animation and the subtle cough brought a chuckle from the judges.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Jim Reed - An Editors Struggle<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visit Jim's Page<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jim Reed - 'Not Real...'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Not Real<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visit Jim's Page<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Everything about this film demonstrates a great talent in documentary film making. The\u00a0concept of getting Ai presenters to talk about themselves and the way soundtrack is\u00a0constructed is so well done.<\/p>

It was clear that thinking up a concept, creating assets then blending all these elements into one cohesive film takes great skill.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Jim Reed - 'Not Real...'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Awarded:\n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Penny Johnson Trophy for Best Editing <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Gillian Gatland - Norway Cruise 2024 Trilogy<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t\tPlay Video<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gillian Gatland \u2013 Leaving Rosyth<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visit Gillian's Page<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Despite not being able to ask the captain to go around again so you could get a better angle, the shots we saw were the best anyone was likely to get.<\/p>

This demonstrates that the film-maker was able to see a shot, frame it and get a good result without hose piping or crash zooms.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t\tPlay Video<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gillian Gatland \u2013 Day 3 Olden<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visit Gillian's Page<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“The scene setting shot, that opens the film, was well crafted on screen using smooth\u00a0Ken Burns type movements.<\/p>

As in other sections of this longer film, there were interesting facts mentioned in the\u00a0narrative that helped to change this from a simple holiday memory for those involved into a\u00a0film of wider interest.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t\tPlay Video<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gillian Gatland \u2013 Day 4 LyseFijord<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visit Gillian's Page<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Judges Comments:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“As in other films in this series, there is interesting information included in the nicely recorded narration mixed with well chosen music.<\/p>

There was nice Ken Burns style movement in some of the stills which helped to make\u00a0them more visually appealing.\u00a0The shot from the stern of the boat with the bridge in the background was wonderful.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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John Hawthorne - 'The Strange Photograph'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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John Hawthorne - 'The Strange Photograph'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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John Hawthorne<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Judges Comments:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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” This film demonstrates some clever use of AI being used in a creative way to tell an intriguing story full of twists and turns.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“We were amazed by what is achievable with all the AI tools you used. We also admired the patience you had in learning to use them all to make this mysterious and interesting story.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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“The digital repair to the photo effect was a nice touch and done well. The shock of the still image then speaking was unexpected.”<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Paul Ashworth Entries (Videos not available)<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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'Joey's Cookies' by Paul Ashworth<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“The good composition emphasises the beautiful and massive smile of Joey as she proudly displays her baked delights.<\/p>

The soundtrack is spot on with the change in music punctuating the spoken word.<\/p>

Here is a great example of what good crafting skills can do in just 15 seconds. With\u00a0many hours in post production!”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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'Barren - A drone Dance' by Paul Ashworth<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Judges Comments:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Delightful music is used as the soundtrack score for this contemporary ballet dance film.<\/p>

We have assumed that Matt and Ollie wrote and recorded the music and they have\u00a0nailed it.<\/p>

We liked the look up at the drone final shot and felt that had it been held just a fraction\u00a0longer the ending would not have been so abrupt.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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'Counter Feet' by Paul Ashworth<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Judges Comments:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“A short and effective \u201cinfomercial\u201d that not only tells us about the product but the story\u00a0behind the business.<\/p>

The audio was clear and sat well in the soundtrack with no obvious edits.<\/p>

An enjoyable short that promotes this business in an effective way which will, no doubt,\u00a0help to drive business to the website.”<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Other Entries : LeFanu Family & Marcus Henning (video not available).<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t\tPlay Video<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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'The Gas Man Cometh' by the LeFanu Family<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“We wondered how many times this had been rehearsed or shot to get everyone in the right place, at the right time, wearing the right outfit, in this one shot film.<\/p>

Normally a single shot would be visually boring but not here, it actually added to it. We\u00a0admired the planning and timing it must have taken to get this right.<\/p>

We were treated to some wonderful, over the top (in a good way) comic acting with some of the cast playing multiple parts.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t\tPlay Video<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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'Jabberwocky' by the LeFanu Family\n<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“A film that proved you can still make movies during the Lockdown.<\/p>

Furthermore, a film made by a family who had worked together as one film unit. We see good acting talent, particularly from \u201cderanged\u201d Kathy.<\/p>

This film would have taken some careful planning as it seems to be a one shot, film. Unless of course there was some very clever zip pan editing.”<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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'Collide' by Marcus Henning<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“A tightly edited film from a talented crew and cast.<\/p>

The pace in the edit was spot on. The building speed in the cuts between the two\u00a0characters on the stairs just before colliding being a good example.<\/p>

The choice to end the film before we see the anticipated next collision was inspired.”“<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jim Reed - 'Move 37 : Dreaming of Electric Sheep'<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"\"<\/a><\/p>

At the end of the evening, Jim Reed was presented with the Moorey Award that he won in the September Club Documentary Competition for his Documentary ‘Move 37: Dreaming of Electric Sheep’.<\/p>

Clicking the image on the right will open the Documentary Competition page.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Jim Reed Received : The Moorey Award for Best Documentary<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Summary of 2024 Awards:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cameron Gilroy<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Mike Sanders<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Peter Stratford<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Jim Reed<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Cameron Gilroy<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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